Sunday, September 30, 2007

Details, Details, Details: Photos of the Shop and Details of the Bending Form


























I've had some requests to post photographs of the shop.
It needs a lot of attention, as you can see, but I have it up and running. It needs a new roof and floor, but I'm proud of it, and I feel comfortable in there. The shop feels like how Charlie Patton sounds to me.





Here are more detailed photographs of the bending forms. Notice that the form is notched to accept the wood and strap. This keeps the wood anchored so that it can be bent.





Here is a side view of the form. Notice that there is a piece of wood attached to the bottom of the form so the whole thing can be attached to a workbench.












Saturday, September 29, 2007

Going on a Bender















As far as working on the banjo, I've spent the majority of the week steam-bending the wood for the pot.


There are several methods for making the pot. I choose to steam bend the wood to create the pot because it is the traditional way of building the instrument. It's the "if it ain't broke" theory. Since I am interested in the pre-bluegrass style and sound of the banjo, the traditional approach to building the banjo makes sense. I build my banjo pots from 3 pieces of 1/4" maple. The pieces are soaked in water, made pliable using steam, then bent around a form.




To the left is an image of the soak box. Until recently I soaked wood in the creek beside my house, but that was during the cooler months. This summer I have decided to let the Water Moccasins have their privacy. In the south we have a saying, "let sleeping snakes lie." We are, of course, speaking literally.


The soak box is simple, just a piece of pvc pipe capped at the end and filled with water. I used to soak the wood overnight, but recently I've begun to soak the wood for a couple of days.

Once the wood has soaked it is ready to be steamed. On the left is a photo of the steam box. It consists of a propane tank, metal safety can, burner, hose and pvc pipe. The contraption works surprisingly well. I let the wood steam for about 30 to 40 minutes.




The final step is to remove the wood from the steam box and bend the now pliable wood around a form. I built this form from plywood. It is grooved to accept the end of the wood. It is also crucial to use a strap of some sort, or the wood will crack. Clamp the wood tight around the for and let it dry overnight.


I find that, for me, steam-bending is the most frustrating, but ultimately the most rewarding part of the building process. Steam-bending has, for the moment, somewhat unpredictable results, although that is changing with practice and experience. I have noticed that if I'm distracted, I will not be able to bend any piece wood to my satisfaction. I may be able to bend a usable piece of wood, maybe, but not a perfect piece. The learning curve is high, and the trial and error is costly in time, energy, and resources.


But...when I do bend that piece of wood perfectly, that's when I feel like I have accomplished something. When I push the wood around the form and feel it yield, when the wood is bent and perfectly clamped, well, it makes me feel like anything in the whole world is possible. And it is, you know?



Sunday, September 23, 2007

Hello...you in there?

Hello, and welcome to Randy Arnold’s Amateur American Luthier blog. Here I hope to share my explorations in instrument building. My primary interest is the banjo.

I began building banjos in late 2005, in the wood shop that my grandfather built in the 1940’s. He used this shop until the 1970’s. My father, a talented furniture maker, used the shop until the early 1980’s. The shop lay dormant until two years ago, when I began to clean it out and recondition the tools. I have added some of my own tools to my father’s and grandfather’s tools.

My first woodworking project was a banjo. It took me about nine months to build the first one, and a little over a month to build my second, working in the afternoons and on weekends. The whole process is a journey. I’m learning (slowly) what it means to be a craftsman, and how to think simply and efficiently.

And it’s getting to know my grandfather. To use his tools, to feel the bite of the wood in my hand the same as he felt in his. And to know the meaning of “God is in the details.”

Anyway, enough of that. Feel free to look around, ask questions if you want. There’s drinks in the fridge.